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Catwalk. They were often sent with an ironic wink. To playful gasps from onlookers, down the grand billiga michael kors klockor salon of 19th century townhouse Resort Salomon de Rothschild, Gareth Pugh gave his display a postmodern kick by sending designs wearing shredded polythene trash baggage down the catwalk. They shivered like luxuriant black plumes. Even the Mugler show, the day's most unified, highlighted performs between sheen and fur, and midriffs compared to shoulders a reminder that tensions are inescapable. Thursday's exhibits include Balmain, Barbara Bui, Rick Owens and Lanvin. DRIES VAN NOTEN Dries Van Noten thinks style is far as well serious. That's why he explored his typical menswearwomenswear tailoring this period by way of the frivolity of ballroom dancing, feathers and the twosome Fred Astaire and Ginger Rogers. Wednesday's display was evidence once more of the Belgian designer's mastery when it comes to the artwork of clashing designs. Who better to represent the Van Noten universe, exactly where men's and women's styles merge with each other, than 1 of the most legendary and inseparable malefemale partners in Hollywood background? Ostrich feathers in midnight blue, pale grey and tea rose billowed like 1930s boas with large vivid embroideries and vintage fur along with men's baggy trousers, club stripes and Prince of Wales verify. 1 great appear said it all: a sumptuous navy feathered skirt (Ginger), michael kors klockor billigt and a big white tuxedo shirt (Fred.) In Van Noten's globe, like in Hollywood, there's no man with out the woman, no Ginger without the Fred. GARETH PUGH To discordant music and hellish mist, Gareth Pugh went to the gates of the underworld, bringing back again with him an inspired assortment of darkish angels. Beginning in white and ending in black, the 49 appears noticed the London wunderkind additional explore the lengthy, flared and otherworldly silhouettes seen chanel stockholm final period. Right here it came with stiff cowl and large shawl chanel väskor collars, or foldover jackets with exaggeratedly big lapels. Each look was fastidiously tailored. At occasions, it looks as if Pugh had made a pact with the satan and channeled the fullskirted proportions of the nineteen fifties, with their tights waist and complete collars, but with dark excess. But in Wednesday's display, Pugh saved the best till last: a sequence of extraordinary black creations billowing with shredded black polythene. They fluttered by malevolently like feathers, as if the models were halfhuman, halfraven. DAMIR DOMA Croatian designer Damir Doma was back in top form for fallwinter in a show that saw his slouchy fashion get an unexpectedly sophisticated makeover. "Neocorporate" was how the Raf Simons alumnus explained his smarter looks backstage. Even though cropped futuristic tunics and zippered change dresses are not precisely runofthemill office attire, the smooth long silhouettes were a welcome flip that saw Doma's vibe get much more sophisticated. But if there is any be concerned that the Antwerp coolkid is now grown up, mature